New Orleans Brass Bands: Through the Streets of the City (Album of the Week)

SOR_NOLABrassBands New Orleans Brass Bands: Through the Streets of the City

Artists: Liberty Brass Band, Treme Brass Band, Hot 8 Brass Band

About: 15 tracks; 1 hour and 10 minutes

Year: 2015

Choice: DJR Blogging

Because of our traveling to New Orleans for Ali and Jose’s wedding and all of the doings around that, our album review is delayed. Dan did, however, give us pretty easy duty with his pick.

New Orleans Brass Bands: Through the Streets of the City is just that – a musical journey through that city and through time. In listening to it, you can imagine yourself transported to the unique city that is New Orleans. The album includes fifteen pieces played by three different brass bands: Liberty Brass Band, The Hot 8 Brass Band, and Treme Brass Band. It is released by the Smithsonian Folkways collection whose mission is to document the cultural diversity of, and understanding of, our world’s sounds. Of course New Orleans brass bands belong in such a mission, but it is easy to understand this music. It sounds like good times and joy.

The cool part of this collection is that the three bands chosen represent old school classic brass bands (Liberty), a more modern version of the old (Treme), and a band that is combining the old with modern rap and bounce (Hot 8). New Orleans (After the City) by The Hot 8 Brass Band is a great example of that convergence and is one of my favorites in this compilation. It has a traditional bouncing sousaphone, call and response, and a rapping line that culminates in a screeching trumpet line. The lyrics include shout-outs to places around the city and the sentiment that this home is the only place they want to be. That there are young bands like the Hot 8 making the tradition of the New Orleans Brass Band in a new image but maintaining the roots is important. The link below takes you to a good introduction to this group.

While in New Orleans last month, we made our second visit to the Backstreet Cultural Museum. Our guide gave an amazing recounting of both the New Orleans Indian culture, and the Social Aid and Pleasure Club parades that happen most of 52 Sundays of the year in New Orleans. The format of the parade includes the first line – the members of the club sporting similar snazzy outfits and sashes; the brass band, and, finally, the second line – people who just fall in behind to parade and dance with the club. The route includes stops at businesses where the club and band members can catch a sit down and a drink of water before then move on. This goes on for hours.

For this review, I am not going to pick through the tracks of the album any more extensively than I already have. Apparently there is a great liner note booklet that came with the album, but I have not seen that yet. I am sure it can provide me with more of the history and what I should be listening for. What I want to leave with in this review is that the spirit of the music represented on this album is universal. There are second lines because people can’t help but want to dance along with the band, and the fact that everyone is invited to do so makes it wonderful!

Next Up: Courtney Barnett, Sometimes I Sit and Think & Sometimes I Just Sit